Artist Application

01 / ARTIST APPLICATION

Show us
what you make.

ARTISTS
PERFORMERS
MAKERS
We are always open to meeting artists whose work feels alive, specific and difficult to reduce to a category.
02 / INTRODUCE YOURSELF

You do not need to fit neatly into the box.

Abraxas began underground and DIY, with a mission to create room for work and people that were not always being given enough visibility or opportunity.

If your practice sits across disciplines, if it is commercial in one context and experimental in another, or if you are still building the language around what you do, you can still apply.

03 / WHO WE WANT TO HEAR FROM

Different practices. Different stages of practice.

01

Music

Musicians, live bands, instrumentalists, DJs and artists working through sound-led performance.

LIVE / MUSIC / SOUND
02

Performance

Dancers, performance artists, movement practitioners, burlesque, fire performers and multidisciplinary live work.

BODY / MOVEMENT / LIVE
03

Models

Editorial, commercial, character and performance-led models with distinct presence and point of view.

IMAGE / PRESENCE
04

Styling + Costume

Stylists, costume makers and wardrobe practitioners working across fashion, image and live performance.

STYLE / COSTUME / IMAGE
05

Sound Design

Sound designers and sonic artists working across spatial audio, live sound, installation and atmosphere.

SONIC / SPATIAL / LIVE
06

Other

If your practice sits somewhere else, send it anyway. The library is not meant to flatten artists into fixed categories.

HYBRID / UNKNOWN / NEW
04 / WHAT MATTERS TO US

Good work deserves a fair working relationship.

Fair Pay

We believe artists should be fairly paid for their time, practice, preparation and delivery.

Respect

We want clear briefs, clear expectations and space for artists to protect the integrity of their work.

Opportunity

Our aim is not only visibility. We want to create real working opportunities, repeat collaborations and useful introductions.

Representation

We remain interested in artists and practitioners who are underrepresented, overlooked or working outside familiar commercial routes.

05 / APPLICATION

Tell us enough to understand the work.

06 / WHAT HELPS

Send the clearest version of the work you have.

01

Live Evidence

For performance-led practice, live footage is often more useful than polished stills alone.

02

Recent Work

Show us what best represents where the practice is now, not necessarily everything you have ever made.

03

Context

A short explanation of what the work is, how it operates and what kind of setting suits it can help enormously.

04

Ambition

Tell us what you want more of: bookings, commissions, new contexts, collaborators, development or representation.

07 / A NOTE

Applying does not need to feel like an audition.

We cannot promise representation or immediate work from every application, but we do want to make the process useful and respectful. If the fit is not right now, that does not mean the work has no value. We may keep artists in mind for future briefs, introductions or projects where the context makes more sense.

Show us the work.
Then show us
where it wants to go.

PRACTICE / AMBITION / CONTEXT / OPPORTUNITY

Introduce
your practice.

Apply ↗