The Land of Sand
A surreal realm where time dissolves.
ABINTRA 8 — UNDERWORLDS unfolded as an altered world of performance, sound, film and installation — a gathering suspended somewhere between ritual, spectacle and dream.
The Land of Sand drifted through that space like a mirage: bodies, images and sound dissolving into one another as time seemed to loosen its grip. What remained was fleeting, symbolic and deliberately unresolved.
Selected photographs.



BARDO
ARTIST HIGHLIGHT / VIDEO TO FOLLOWBardo explores death and rebirth as the body transforms into a liminal vessel, transitioning beyond physical form.
Through latex suits, the performance envisions the post-mortem passage, where the body dissolves into abstraction and harmonises with the liminality of death. It meditates on the body’s connection to memory, tracing the echoes of existence.
Rooted in the expression of Butoh, the piece awakens a primordial engagement with the body as material. Masks and latex serve as conduits for liminal memory—faces and identities imprinted onto the skin, suspended in transition. Within the entropy of being, Bardo plunges the body into the depths of the soul, confronting the invisible through meditation on death and transformation.
KATYA SYKES
ARTIST HIGHLIGHT / VIDEO TO FOLLOWA performance of fungal-human hybridity inhabiting collections of past and post-future memories held by the sands of time.
Distant imaginings reference crucial roles that fungi play in the stabilisation of desert ecosystems, while ritualised self-care practices rooted in resilience and resourcefulness reminisce a scorched and barren epoch on land.
This was a time some 500 million years ago, before plants had roots and could only access water and certain nutrients through mycorrhizal fungal relations. A morphing landscape of mutualistic adaptations allowed land plants, fungi and algal ancestors of plants to extend far beyond their original capacities for survival and experience across new terrain.
VISCERA
ARTIST HIGHLIGHT / VIDEO TO FOLLOWViscera dismantles human exceptionalism while exposing our obsession with surface beauty.
We spend our lives obsessing over the surface—perfecting skin, curating images—while the true engines of life, the organs that sustain us, remain unseen and unconsidered.
Beneath the skin, our organs are indistinguishable from those of animals: lungs that expand, a heart that pumps, intestines that coil in the same primal design. Yet we elevate ourselves, clinging to the illusion of superiority.
VESTIGE
ARTIST HIGHLIGHT / VIDEO TO FOLLOWThe dune spirits exist in a state of ephemerality, caught within the nature of their own impermanence.
Sand—vast, intangible and ever-shifting—mirrors the transient essence of love and the deep desire for connection. Endlessly morphing, dissolving and reforming against time, they struggle with the paradox of unity: though they long to be together, they can never truly hold on.
In desperation, they choose to turn into stone, sacrificing their immortality for permanence. Yet this act, though born from love, is ultimately an illusion—rooted in the human impulse to define existence through form and measured time.
The Land of Sand,
in full.
EVENT RECAP / FILM TO FOLLOWFull gallery.



































The Land of Sand
ABINTRA 8 / UNDERWORLDS
Performance / Sound / Installation / Film / Design
Performance Art / DJs / Immersive Installation / Fashion