Anchored in The Land of Sand, artists were given a singular prompt: respond to the mythology of sand, its erosion, its memory, its endless capacity to shift, and bring forward an original performance or create one specifically for this evolving terrain. Each contribution became part of a larger collective ritual, shaped by fragmentation, intuition, and transformation.

Inspired by the spirit of the Bal Surréaliste, the series operated as a contemporary rite disguised as an event, dissolving the boundary between audience and creator. Within this world, time behaved like sand—unstable, porous, and constantly slipping between states, while narratives emerged only to disintegrate and re-form in new configurations.